Dumbkomf


Dumbkomf”,”stupido”bellowed Dave Chasen, that famous Hollywood insider turned restauranteur, not unlike Toots Show, who graced the hard liquor with Frank Sinatra, Joe DiMaggio,(“the Yankee Clipper”) Jimmy Cannon the sports columnist, but 3000 miles away on Beverly Boulevard Chasen’s opened,”Dave’s cheese cake ,”once a delicacy became the toast of the town almost in the same status symbol as Nathan’s hot dog, spilling over with sauerkraut

 
                                               II

On what better note, to defer to one of his famous patrons, a n actor from Pasadena, several miles toward the Glendale, LaCrescenda, San Gabriel Mountains...out toward Flintrridge, Altadena, the Santa Anita race track.... Arcadia, Sierra Madre.

Here Bill Holden grew up and he wooed a budding actress Brenda Marshall .
 

Before our blog  goes astray with the Holden “I wanted wings” with Veronica Lake of the long blonde peekaboo covering her left eye, its  interior moral stance, the heart&soul of our genre, swishing her tresses to the Big Apple’s right eye. .

                                                  III

The Belasco theater opens on Broadway...1937, a Group theater drama The Golden Boy”, authored by a playwright named Clifford Odets of the Group theater, directed by Harold Clurman.

Who but Luther Adler has the starring role. Nepotism being the name of the game. Stella Adler, his older sister, and subsequently Marlon Brando’s coach.

Joe Bonaparte leaps off the page, coming to life almost in the same breathe as Julie Garfinkle aka John Garfield exhorteed in “Awake and sing” Odets play coming to grips at the Las Palms theater in  post World War2 Hollywood.

The karma is not the 75 years of suspended time but restoring to the digital cosmos and the Hurricane Sandys blitzkrieg,  Odets dramatization of post Obama life, can be fathomed by 21st century souls, relevant to their moral  life, mirrored by the Group’s ensemble.

  J. Edward Bromberg, Gale Sondergard, Julie(John) Garfinkel, Harold Clurman (Sylvia Sidney’s brother),   Art Smith, Morris Carnofsky, Franchot Tone, Elia Kazan, Lee J. Cobb, Will Geer, Cheryl Crawford, Howard da Silva... the group honing the Stanislavsky method out of the Moscow Art Theatre.

 
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The publicity for the 21st century Joe Bonaparte has Joe Louis standing over Max Schmeling in their return bout, J.L going to his corner, for M.S. walloping him in their first canvas setting.

What does that tell us about Joe Bonaparte identifying with the Detroit black bomber. A Max Jacobs discovery, he brought his chops to the Heavyweight Championship of the World..1937

Could Luther Adler, Sylvia Sidney’s spouse her brother, Harold Clurman, the director, the forgave his toning sounding violin for the clamor of the prize fighting ring and its ballyhooed. sadism, betting odds from the Las Vegas sharks...

Falling in love with Frances Farmer in the role of an afficionado, Odets shaking the dice for Luther Adler’s  embracing the new reality.  Odets wooing Frances Famer, Bonaparte rethinking

the bow and strings for the blustering  ....
 

Requiem for a heavyweight.
                  

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For Bill Holden identifying with Joe Bonaparte,  the “Golden boy’” , seems an anachronism, a  From Pasadena to the studio stages, playing out Luther Adler’s Joe Bonaparte, Barbara Stanwyck, the Frances Farmer role.
 

Ringside, Dan Dunphy, Bill Corum.

Falling in love with Frances Farmer  gives an ambiance to his reality. To transcend his yearning to be somebody, with its instant gratification. (on the boxing circuit)

 Lee J. Cobb’s son, a classicalviolinist bent on becoming a rock star, .in the hullabaloo of the ring’s big bucks, breaks his hand.

 Frances Farmer walking off with his soul in a sling, her heart broken.

An allegory, indeed pops..

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Whether or not William Holden made the role for himself, he was forever cast in the myth of Joe Bonaparte, selling out the real Joe, his father’s son..

Watching the air traffic thru the Palm Springs airport fences. Passing time at Chasens, getting gassed up at Shangri-la in Santa Monica, he seemed to be “Born Yesterday”. A prisoner of “Stalag 17" and director Billy Wilder, he patronized his Kenya trips like it was an extension of his Pasadena-Hollywood sound stages..

A captive of his youthful Joe Bonaparte soul, abandoning his bow and violin for the animalistic  hungers and dreams  n all of us, we dare say....the two lovers redefining themselves into life.

75 years after the  1937 Group Theater’s Belasco opening

                                               *******

Have a good day, Golden Boy

The City that never sleeps, November 7, 2012